Pioneering sculptor-performer of supersized musical instruments
"An award-winning multidisciplinary artist who harnesses technological advances to bend pop music into surprising new forms." - Boomkat
Lia Mice
Born in Cairns, Australia
Lives & works in London, UK
Lia Mice is an award winning multidisciplinary artist, educator and pioneering maker of oversized sculptural musical instruments.
For over 20 years, Mice has prolifically produced a diverse body of work, frenetically shape shifting through multidisciplinary practices and international music and art scenes. At the core of her creative approach is a joyful DIY ethic: creating with what she has, without waiting for resources or permission.
As an mixedmedia artist of sculptural musical instruments, Mice has shown her instruments at V&A Museum London, Ars Electronica Linz, Tate Modern London, Institute of Contemporary Art London, Deliaphonic Festival Conventry, Sonorities Festival Belfast, International Conference for Computer Human Interaction (CHI) New Orleans and Georgia Tech Atlanta. Mice’s 2 metres wide and tall instrument Chaos Bells was a finalist at the 2023 Guthman Musical Instrument Competition. Mice is a co-founder of instrument making collective Vital Organs alongside Sarah Angliss and Karina Townsend. Mice’s instruments are provocations to the commercial musical instrument industry that focuses on small desktop instruments made of unsustainable materials. Mice’s practice explores the design of instruments larger than the performer. She build with reclaimed materials headed for landfill and experiments with creating new eco-friendlier materials. Mice has collaborated on instrument design projects with Native Instruments, The Barbican, LSO and the OHMI Trust with whom she designed a One-Handed Violin concept. Mice is an advocate for accessible musical instrument design and is herself monocular sighted.
As a self-producing solo performing experimental pop artist, Mice has released four solo albums and toured 15 countries performing in renowned venues including the Museum of Arts and Design New York, WOMB Tokyo, Supernormal Festival UK, Fat Out Festival Manchester and Sled Island Festival Calgary. Her unique productions are the result of years of studio experimentation with technology old and new including reel-to-reel tape, self-hacked instruments, pure data and samplers. Mice's all-hardware live A/V sets incorporate large-scale self-designed instruments and voice sampling with dancers and audio-reactive visuals. Since 2019, Mice co-hosts with A'Bear a monthly Threads Radio show called EastBlenders. Since moving to London in 2015 she has founded and curated Electrolights AV (2015-2022) - an experimental platform highlighting audio-visual artists and performers, and Lost Valley (2021-present) - a late night dance party highlighting experimental techno live artists and DJs.
As an educator, Mice has led instrument design workshops with participants aged 8 to 92 for clients including The Barbican, London Symphonic Orchestra and IKLECTIK Art Lab. In 2021, Mice was awarded the Oram Award for Innovation in Sound, Music and Related Technologies presented by PRS, British Council and the New Radiophonic Workshop. Mice has taught in Higher Education for 4 years and is the Programme Leader of the MA Creative Music Production at the Institute of Contemporary Music Performance in London. She holds a Masters of Music in Creative Practice from Goldsmiths University of London and a PhD in Media and Arts Technology from Queen Mary University of London.
Albums
2022 - Sweat Like Caramel
2018 - The Sampler As A Time Machine
2014 - I Love You
2012 - Happy New Year
Press
Podcast interviews
"Lia Mice" - Audio.com, March 2024
"Building Your Own Immense Instruments" - MPW Podcast, March 2024
"Lia Mice" - WITCiH Creative Women In Tech Podcast, September 2020
Video interviews
"Future Music - The Track - Lia Mice breaks down 'Which Memories Will Make It'" - Future Music, May 2020
Print interviews
Chaos Bells And Sounds: Lia Mice Interviewed - The Quietus, May 2022
Lia Mice about Building and Hacking her own Instruments - 15 Questions, May 2022
"'We need to put inclusion at the start of the process': the disabled musicians making their own instruments" - The Guardian, July 2019
"Exploring sound, time and samples with Lia Mice" - Selekta.fm, Nov 2018
"Video premiere: Lia Mice 'Marconi's Eternal Tone Cloud'" - Kaltblut, Nov 2018
Education
2023 - PhD Media and Arts Technology, Queen Mary University of London, UK
2017 - MMus in Creative Practice, Goldsmiths University of London, UK
Grants & Awards
2024 - Sound and Music Seed Funding
2023 - Guthman Musical Instrument Competition finalist
2022 - Arts Council England Develop Your Creative Practice
2021 - Oram Award winner
2021 - Sound of the Year finalist
2019 - PRS Open Fund for Music Creators
2014 - Australia Council for the Arts New Work
Exhibitions
2022 - V&A Digital Design Weekend London
2021 - The Barbican Archives Residency, London
2020 - Ars Electronica, Online/Linz
2019 - V&A Digital Design Weekend, London
2019 - Ars Electronica, Linz
2018 - Ars Electronica, Linz
Selected Live Performances
2024 - IKLECTIK Art Lab, London
2023 - Institute of Modern Art, Brisbane
2023 - Firstsite Gallery, Colchester
2021 - The Barbican, London
2020 - Institute of Contemporary Art, London
2018 - Tate Modern, London
2016 - Saloon, Tokyo Japan
2014 - Epok, Osaka
2014 - Glasslands Gallery, New York
2014 - TAB, Singapore
2014 - The Bee, Kuala Lumpur
2013 - Tasogare Festival, Japan
2012 - Museum of Arts & Design, New York
2011 - 42nd St Gallery, New York
2011 - Pehrspace, Los Angeles
2011 - Clocktower Gallery, New York
2010 - EFA Gallery, New York
Residencies
2022 - BrittenPears Arts Snape Residency, Snape Maltings
2019 - Innovative Instrument Design Duxianqin International Workshop, China Conservatory of Music
2018 - Automation and Me, Leeds International Festival
2017 - Estalagem Residency for Music and Electronics, Ponta Da Sol Madeira
2016 - Goldsmiths Palermo Summer Intensive Performance Practices, Sicily
Publications
2023 - Go large: the impact of size on gestural interaction in digital musical instrument design. PhD Thesis, QMUL.
2023 - Chaos Bells: Instrument Size and Entangled Music Performance. Contemporary Music Review.
2022 - The M in NIME: Motivic analysis and the case for a musicology of NIME performances. NIME Conference.
2022 - Super Size Me: Interface Size, Identity and Embodiment in Digital Musical Instrument Design. Proc. ACM SIGCHI Conference on Human Factors in Computing Systems. CHI Conference.
2020 - From Miming to NIMEing: the Development of Idiomatic Gestural Language on Large Scale DMIs. NIME Conference.
2019 - Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing Large Digital Musical Instruments. CMMR Conference